TOO FUNNY FOR WORDS, A Contrarian History of American Screen Comedy from Silent Slapstick to Screwball (2019) David Kalat

American silent film comedies were dominated by sight gags, stunts and comic violence. With the advent of sound, comedies in the 1930s were a riot of runaway heiresses and fast-talking screwballs. It was more than a technological pivot—the first feature-length sound film,

The Jazz Singer (1927) changed Hollywood. Lost in the discussion of that transition is the overlap between the two genres. Charlie Chaplin, Buster Keaton and Harold Lloyd kept slapstick alive well into the sound era. Screwball directors like Leo McCarey, Frank Capra and Ernst Lubitsch got their starts in silent comedy.

From Chaplin’s tramp to the witty repartee of His Girl Friday (1940), this book chronicles the rise of silent comedy and its evolution into screwball—two flavors of the same genre—through the works of Mack Sennett, Roscoe Arbuckle, Harry Langdon and others. (Book Cover)

Mr. Kalat’s writing is thought provoking and engaging and can be supplemented by his outstanding film audio commentaries, particularly on the Criterion DVD of the screwball masterpiece To Be or Not to Be (1942). Aliece Pickett

TABLE OF CONTENTS

Acknowledgments

Introduction: The History of the History of Silent Comedy

Hey, Down in Front!

Mack Daddy, Daddy Mack

Irony and the Fat Man

First Things First, but Not Necessarily in That Order


Slapstick While Black


@RealCharlieChaplin


Cruel and Unusual


Life, Police and Trouble


Mutual Appreciation Society


Serious Business


The Other Chaplin


Buster Keaton vs. the History of Comedy


Out the Window Backwards


Eureka


What, What No Beer?


Keaton International


Fake News


Why Don’t You Say Something to Help Me?


Harold Lloyd 101


Mustache, Glasses and Suit


The Sin of Harold Lloyd


When Harold Met Lucy


Lucy vs. Lucille Ball


Artists and Models


Duck Soup


Eat Your Apple After Now


The Back of Joan Crawford’s Head


Downton Valley, or Ruggles Conquers the West


The $30,000 Question


F. W. Murnau’s Comedy Masterpiece


Jean, Clara, Bombshell and It


Miscasting for Fun and Profit


Girls! Girls! Girls!


I Won’t Back Down


The Unexpected Comedy Stylings of Alfred Hitchcock

Mr. and Mrs. Smith


Divorce American Style


Magic Pixie Dream Grampa


Ernst Lubitsch Forgives Himself


Sturges Before Sturges


The Trouble with Mitchell


Ginger Rogers, Sad Saks of Fifth Ave.


The Careless Cinderella


Katharine Hepburn vs. Herself


Me vs. Capra


Preston Sturges Origin Story


The Love Song of Captain McGloo


Sturges After Sturges (or, the Keystone Pipeline)


Meet Charley Chase

Modern Love


Meet Cary Grant


The Worst People in the World


Slut Fabulous

Filmography

Notes



Bibliography

Index